Recording at Skywalker Sound presented by Leslie Ann Jones

Leslie Ann Jones has been a recording and mixing engineer for over 30 years. Starting her career at ABC Recording Studios in Los Angeles in 1975, she moved to Northern California in 1978 to accept a staff position with David Rubinson and Fred Catero at the legendary Automatt Recording Studios. There she worked with such artists as Herbie Hancock, Bobby McFerrin, Holly Near, Angela Bofill, and Narada Michael Walden, and started her film score mixing career with “Apocalypse Now”.

From 1987 to 1997 she was a staff engineer at Capitol Studios located in the historic Capitol Records Tower in Hollywood. She recorded projects with Rosemary Clooney, Michael Feinstein, Michelle Shocked, BeBe & CeCe Winans, and Marcus Miller, as well as the scores for several feature films and television shows. (more…)

Hear Tomorrow Workshop

The U of M Student Section of AES is hosting Benj Kanters of Hear Tomorrow to speak on noise and music-induced hearing loss. This workshop is a two-hour presentation, including images and animations reflecting the latest in hearing research. The workshop will discuss hearing physiology, hearing loss, and hearing conservation including discussion about technologies such as the latest developments in high-fidelity ear plugs and concert in-ear monitoring systems.

Fundamentals of System Design, Implementation, and Optimization

We are welcoming all who are interested to our last AES event of the year. We will meet in McIntosh Theatre where Meyer Sound will be giving a seminar on the fundamentals of system design.

The Fundamentals of System Design seminar encompasses a variety of topics in sound system applications. Practical information about AC power, grounding, hum, gain setting and polarity are presented in a real-world context to provide useful background. Theory and practice of line arrays are discussed, along with tools for system optimization, including equalization, delay, loudspeaker management systems and measurement with the SIM 3 audio analyzer system.

The seminar’s second day is dedicated to use of Meyer Sound MAPP Online acoustical prediction software as a primary tool in system design. After an extensive introduction to the program and its capabilities, attendees are walked through exercises in which they specify venues and design loudspeaker systems to cover them.

Finally, the seminar will discuss and demonstrate important concepts pertaining to the use of subwoofers and methods of deployment that obtain optimal coverage and directivity characteristics.